Landskipping : painters, ploughmen and places / Anna Pavord.
Material type:
TextPublisher: London : Oxford : New York : New Delhi Sydney : Bloomsbury, 2016Description: 250 pages : illustrations ; 24 cmContent type: - text
- unmediated
- volume
- 9781408868911
- 1408868911
| Item type | Home library | Collection | Shelving location | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|---|
Adult Book
|
Main Library | NonFiction | Adult Display - Second Floor | 304.2094 P339 | Spring Plant Swap - May 2024 | Available | 33111008465714 |
Enhanced descriptions from Syndetics:
Landskipping is a ravishing celebration of landscape, its iridescent beauty and its potential to comfort, awe and mesmerise. In spirit as Romantic as rational, Anna Pavord explores the different ways in which we have, throughout the ages, responded to the land. In the eighteenth century, artists first started to paint English scenery, and the Lakes, as well as Snowdon, began to attract a new kind of visitor, the landscape tourist. Early travel guides sought to capture the beauty and inspiration of waterfall, lake and fell. Sublime! Picturesque! they said, as they laid down rules for correctly appreciating a view. While painters painted and writers wrote, an entirely different band of men, the agricultural improvers, also travelled the land, and published a series of remarkable commentaries on the state of agricultural England. They looked at the land in terms of its usefulness as well as its beauty, and, using their reports, Anna Pavord explores the many different ways that land was managed and farmed, showing that what is universal is a place's capacity to frame and define our experience.Moving from the rolling hills of Dorset to the peaks of the Scottish Highlands, this is an exquisite and compelling book, written with zest, passion and deep understanding.
In Landskipping, Anna Pavord explores some of Britain's most iconic landscapes in the past, in the present, and in literature. With her passionate, personal, and lyrical style, Pavord considers how different artists and agriculturists have responded to these environments. Like the author's previous book The Tulip, Landskipping is as sublime and picturesque as its subject. Landskipping features an eclectic mix of locations, both ecologically and culturally significant, such as the Highlands of Scotland, the famous landscapes of the Lake District, and the Celtic hill forts of the West Country. These are some of the most recognizable landscapes in all of Britain. Along the way, Pavord annotates her fascinating journey with evocative descriptions of the country's natural beauty and brings to life travelers of earlier times who left fascinating accounts of their journeys by horseback and on foot through the most remote corners of the British Isles.
Includes bibliographical references (pages 233-238) and index.