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Unbound : narrative art of the Plains / General Editor, Emil Her Many Horses.

Contributor(s): Material type: TextTextPublisher: Washington : National Museum of the American Indian, Smithsonian Institution, in association with D Giles Limited, [2023]Description: xi, 132 pages : illustrations, 27 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781913875480
  • 1913875482
Subject(s): Genre/Form: Summary: "This book traces the evolution of narrative art among Native nations of North America's Great Plains region, from historical hides, muslins, and ledger books to more than 50 contemporary works commissioned by the National Museum of the American Indian (NMAI). Illustrating everything from war deeds and ceremonial events to pop culture, the selected artworks are as diverse as the individuals who created them. Plains narrative art took shape through various media such as painted hide tipis, robes, and shirts. In the late 19th century, as trade broadened, artists created scenes of battles and ceremonies on muslin and paper. Some artists filled the pages of ledger books with narrative drawings to record their past and preserve their cultures. Native artists began reviving "ledger art" in the 1970s, creating a vibrant form that takes on contemporary topics, uses a variety of media, and is widely collected. Edited by NMAI curator Emil Her Many Horses (Oglala Lakota), Unbound features historical masterworks by 14 artists and unveils new works from 11 contemporary artists. The book also includes scholarly and personal essays by Her Many Horses, David W. Penney, Michael Paul Jordan, and Lauren Good Day"-- Provided by publisher.
Holdings
Item type Home library Collection Shelving location Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library NonFiction New 970.0049 U54 Available 33111011244999
Total holds: 0

Enhanced descriptions from Syndetics:

New publication celebrates the dynamic tradition of narrative art among Native nations of the American Great Plains.

Unbound shows the full expression of Plains narrative art, from historical hides, muslins, and ledger books to contemporary works. Illustrating everything from war deeds and ceremonial events to family life, Indigenous identity, and pop culture, the artworks are as diverse as the individuals who created them.

Early narrative warrior-artists recorded their battle exploits on buffalo-hide shirts, and robes. In the late nineteenth century, as trade broadened, artists painted elaborate scenes of battles and ceremonies on large muslin tipi liners. When ledger books became available, artists filled their pages with narrative drawings. Native artists began reviving "ledger art" in the 1970s, creating a vibrant form that takes on contemporary topics, uses a variety of media, and is widely collected.

Organized chronologically, Unbound juxtaposes traditional works from the National Museum of the American Indian's (NMAI's) renowned collection with drawings and paintings commissioned from eleven contemporary Native artists. The book accompanies an acclaimed exhibition of the same title that appeared in 2016 at the museum's New York venue and will reopen in late Spring 2024 in the Washington, DC, museum.

Includes bibliographical references and index.

"This book traces the evolution of narrative art among Native nations of North America's Great Plains region, from historical hides, muslins, and ledger books to more than 50 contemporary works commissioned by the National Museum of the American Indian (NMAI). Illustrating everything from war deeds and ceremonial events to pop culture, the selected artworks are as diverse as the individuals who created them. Plains narrative art took shape through various media such as painted hide tipis, robes, and shirts. In the late 19th century, as trade broadened, artists created scenes of battles and ceremonies on muslin and paper. Some artists filled the pages of ledger books with narrative drawings to record their past and preserve their cultures. Native artists began reviving "ledger art" in the 1970s, creating a vibrant form that takes on contemporary topics, uses a variety of media, and is widely collected. Edited by NMAI curator Emil Her Many Horses (Oglala Lakota), Unbound features historical masterworks by 14 artists and unveils new works from 11 contemporary artists. The book also includes scholarly and personal essays by Her Many Horses, David W. Penney, Michael Paul Jordan, and Lauren Good Day"-- Provided by publisher.

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