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Empty theatre : or, the lives of King Ludwig II of Bavaria and Empress Sisi of Austria (Queen of Hungary), cousins, in their pursuit of connection and beauty despite the expectations placed on them because of the exceptional good fortune of their Status as beloved national figures. With speculation into the mysterious nature of their deaths / Jac Jemc.

By: Material type: TextTextPublisher: New York : MCD/Farrar, Straus and Giroux, 2023Edition: First editionDescription: 451 pages ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780374277925
  • 0374277923
Subject(s): Genre/Form: Summary: "A wildly over-the-top social satire reimagining the mad misadventures of iconic royal cousins King Ludwig and Empress Sisi, from the incomparable Jac Jemc"-- Provided by publisher.Summary: History knows them as King Ludwig II of Bavaria and Empress Elizabeth of Austria, icons of the late nineteenth century who died young and left behind magnificent portraits and palaces. But to each other they were Ludwig and Sisi, cousins who shared a passion for beauty and a stubborn refusal to submit to the roles imposed upon them. Ludwig, simultaneously spoiled and punished for his softness and "unmanly" interests, falls hard for the operas of Richard Wagner and neglects his state duties in the pursuit of art. Sisi, married at the age of sixteen to her beloved Franzl, bristles at the restrictions of her elevated position, the value placed on her beauty, and the simultaneous expectation that she ravage her body again and again in childbirth. Both absurdly vain, both traumatized by the demands of their roles, Sisi and Ludwig struggle against the ideals they are expected to embody, and resist through extravagance, petulance, performance, and frivolity.
List(s) this item appears in: 2024 FPL Reading Challenge: Long Title
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library Fiction JEMC, JAC Available 33111010966907
Total holds: 0

Enhanced descriptions from Syndetics:

A wildly over-the-top social satire reimagining the mad misadventures of the iconic royal cousins King Ludwig and Empress Sisi, from the incomparable Jac Jemc.

History knows them as King Ludwig II of Bavaria and Empress Elizabeth of Austria, icons of the late nineteenth century who died young and left behind magnificent portraits and palaces. But to each other they were Ludwig and Sisi, cousins who shared a passion for beauty and a stubborn refusal to submit to the roles imposed upon them.

Ludwig, simultaneously spoiled and punished for his softness and "unmanly" interests, falls hard for the operas of Richard Wagner and neglects his state duties in the pursuit of art. Sisi, married at the age of sixteen to her beloved Franzl, bristles at the restrictions of her elevated position, the value placed on her beauty, and the simultaneous expectation that she ravage her body again and again in childbirth. Both absurdly vain, both traumatized by the demands of their roles, Sisi and Ludwig struggle against the ideals they are expected to embody, and resist through extravagance, petulance, performance, and frivolity.

A tragicomic tour de force, Empty Theatre immerses readers in Ludwig and Sisi's rarefied, ridiculous, restrictive world--where the aesthetics of excess belie the isolation of its inhabitants. With wit, pathos, and imagination, Jac Jemc takes us on an unforgettable journey through two extraordinary parallel lives and the complex, tenuous friendship that links them.

Includes bibliographical references (pages 447-450).

"A wildly over-the-top social satire reimagining the mad misadventures of iconic royal cousins King Ludwig and Empress Sisi, from the incomparable Jac Jemc"-- Provided by publisher.

History knows them as King Ludwig II of Bavaria and Empress Elizabeth of Austria, icons of the late nineteenth century who died young and left behind magnificent portraits and palaces. But to each other they were Ludwig and Sisi, cousins who shared a passion for beauty and a stubborn refusal to submit to the roles imposed upon them. Ludwig, simultaneously spoiled and punished for his softness and "unmanly" interests, falls hard for the operas of Richard Wagner and neglects his state duties in the pursuit of art. Sisi, married at the age of sixteen to her beloved Franzl, bristles at the restrictions of her elevated position, the value placed on her beauty, and the simultaneous expectation that she ravage her body again and again in childbirth. Both absurdly vain, both traumatized by the demands of their roles, Sisi and Ludwig struggle against the ideals they are expected to embody, and resist through extravagance, petulance, performance, and frivolity.

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