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The collaboration : Hollywood's pact with Hitler / Ben Urwand.

By: Material type: TextTextPublisher: Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2013Description: 327 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0674724747 (hardcover : alk. paper)
  • 9780674724747 (hardcover : alk. paper)
Subject(s):
Contents:
Hitler's obsession with film -- Enter Hollywood -- "Good" -- "Bad" -- "Switched off" -- Switched on -- Epilogue.
Fiction notes: Click to open in new window
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library NonFiction 791.4309 U83 Available 33111007444835
Total holds: 0

Enhanced descriptions from Syndetics:

To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time--a "collaboration" (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer.

At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front , which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios--many of which were headed by Jews--began dealing with his representatives directly.

Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood--and American--history.

Includes bibliographical references (pages [255]-315) and index.

Hitler's obsession with film -- Enter Hollywood -- "Good" -- "Bad" -- "Switched off" -- Switched on -- Epilogue.

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