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I used to live here once : the haunted life of Jean Rhys / Miranda Seymour.

By: Material type: TextTextPublisher: New York, NY : W.W. Norton & Company, 2022Copyright date: ©2022Edition: First American editionDescription: xvii, 421 pages : illustrations, maps ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781324006121
  • 1324006129
Subject(s): Genre/Form:
Contents:
Wellspring (1890-1907) -- Floggings, school, and sex (1896-1906) -- Stage-struck (1907-13) -- Fact and fiction : a London life (1911-13) -- London in wartime (1913-19) -- A Paris marriage (1919-25) -- "L'affaire Ford" (1924-26) -- Hunger, and hope (1926-28) -- Two tunes : past and present (1929-36) -- A la recherche, or Temps Perdi (1936) -- Good Morning, midnight (1936-39) -- At war with the world (1940-45) -- Beckenham blues (1946-50) -- The lady vanishes (1950-56) -- A house by the sea (1957-60) -- Cheriton Fitzpaine -- The madness of perfection (1960-63) -- An end and a beginning (1964-66) -- No orchids for Miss Rhys (1966-69) -- Rhys in retreat (1967-74) -- "Mrs Methuselah" (1973-76) -- "The old punk upstairs" (1977-79).
Summary: "Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction-above all, the extraordinary Wide Sargasso Sea-that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the "Rhys woman" of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable-and shockingly contemporary. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist"-- Provided by publisher.
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library Biography RHYS, J. S521 Available 33111010864987
Total holds: 0

Enhanced descriptions from Syndetics:

Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction--above all, the extraordinary Wide Sargasso Sea--that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now.

In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the "Rhys woman" of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable--and shockingly contemporary.

Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist.

Includes bibliographical references and index.

Wellspring (1890-1907) -- Floggings, school, and sex (1896-1906) -- Stage-struck (1907-13) -- Fact and fiction : a London life (1911-13) -- London in wartime (1913-19) -- A Paris marriage (1919-25) -- "L'affaire Ford" (1924-26) -- Hunger, and hope (1926-28) -- Two tunes : past and present (1929-36) -- A la recherche, or Temps Perdi (1936) -- Good Morning, midnight (1936-39) -- At war with the world (1940-45) -- Beckenham blues (1946-50) -- The lady vanishes (1950-56) -- A house by the sea (1957-60) -- Cheriton Fitzpaine -- The madness of perfection (1960-63) -- An end and a beginning (1964-66) -- No orchids for Miss Rhys (1966-69) -- Rhys in retreat (1967-74) -- "Mrs Methuselah" (1973-76) -- "The old punk upstairs" (1977-79).

"Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction-above all, the extraordinary Wide Sargasso Sea-that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the "Rhys woman" of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable-and shockingly contemporary. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist"-- Provided by publisher.

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