000			03162cam a2200385 a 4500
001			006893971
005			20180722211133.0
008			100310s2010 gaua b s001 0beng
010			_a2010005973
020			_a0820329673 (hardcover : alk. paper)
020			_a9780820329673 (hardcover : alk. paper)
029	1		_aAU@ _b000045402382
035			_a(OCoLC)551718356
040			_aDLC _cDLC _dYDXCP _dC#P _dBWX _dCDX _dERASA _dN15 _dNFG
043			_an-us---
049			_aNFGD
092			_a770.92 _bR329
100	1		_aReesman, Jeanne Campbell. _9174099
245	1	0	_aJack London, photographer / _cJeanne Campbell Reesman, Sara S. Hodson & Philip Adam.
260			_aAthens : _bUniversity of Georgia Press, _cc2010.
300			_axiv, 271 p. : _bill. ; _c29 cm.
504			_aIncludes bibliographical references and index.
505	0		_aThe people of the abyss (1903) -- The Russo-Japanese War, 1904 -- The San Francisco earthquake, 1906 -- The cruise of the Snark (1907-1908) -- The voyage of the Dirigo, 1912 -- The Mexican Revolution, 1914.
520			_a"Jack London (1876-1916) remains one of the most widely read American writers, known for his naturalist fiction, socialist novels and essays, journalism, and the many adventures that he shared with the world. London was also an accomplished photographer, producing nearly twelve thousand photographs during his lifetime. Jack London, Photographer, the first book devoted to London's photography, reveals a vital dimension of his artistry, barely known until now. London's subjects included such peoples as the ragged homeless of London's East End and the freezing refugees of the Russo-Japanese War. On assignment for the Hearst Syndicate, Collier's, and other magazines, London made photographs of San Francisco in ruins after the 1906 earthquake and fire and, during his voyage aboard the Snark, produced humane images of the South Sea islanders that contrasted dramatically with the period's stereotypical portraits of indigenous peoples. In 1914 he documented the U.S. invasion of Veracruz during the Mexican Revolution. Although some of the images were used in newspaper and magazine stories and in his books The People of the Abyss and The Cruise of the Snark, the majority have remained unpublished until prior to this volume. The volume's more than two hundred photographs were printed from the original negatives in the California State Parks collection and from the original photographs in albums at the Huntington Library. They are reproduced here as duotones from silver gelatin prints. The general and chapter introductions place London's photographs in the context of his writings and his times"--P. [2] of dust jacket.
600	1	0	_aLondon, Jack, _d1876-1916 _vArchives. _9174100
610	2	0	_aHenry E. Huntington Library and Art Gallery _xPhotograph collections. _9174101
650		0	_aAuthors, American _y20th century _vBiography. _97656
650		0	_aPhotographers _zUnited States _vBiography. _964875
700	1		_aAdam, Philip. _9174102
700	1		_aHodson, Sara S. _9174103
942			_cBOOK _04
994			_aC0 _bNFG
997			_aLondon, J. R329
998			_a006893971
999			_c100177 _d100177