000			04128cam a2200433 i 4500
001			ocn879583340
003			OCoLC
005			20180722222237.0
008			140529t20142014caua 000 0 eng c
010			_a 2014019235
040			_aJPG/DLC _beng _erda _cJPG _dDLC _dPUL _dYDXCP _dBTCTA _dBDX _dOCLCF _dUKMGB _dIHX _dDAD _dZLM _dZCU _dMOF _dSTF _dABG _dOMB _dCOO _dIAK _dOVY _dUBY _dNDS _dOCLCQ _dS3O _dNFG
015			_aGBB4B9977 _2bnb
016	7		_a016913373 _2Uk
019			_a896822152
020			_a9781606064290 _q(hardcover)
020			_a1606064290 _q(hardcover)
035			_a(OCoLC)879583340 _z(OCoLC)896822152
042			_apcc
092			_a701.8509 _bF511
049			_aNFGA
100	1		_aFinlay, Victoria, _eauthor. _9108361
245	1	4	_aThe brilliant history of color in art / _cVictoria Finlay.
264		1	_aLos Angeles : _bThe J. Paul Getty Museum, _c[2014]
264		4	_c©2014
300			_a120 pages : _billustrations ; _c26 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0		_aManganese black: Art in the Ice Age -- Red ocher: The sacred and dangerous in Australia -- Egyptian blue: King Tut's infrared transmitter -- Greek white: The myth of the white city -- Yellow ocher: Apelles and slime -- Tyrian purple: Cleopatra's royal color -- Cinnabar, vermilion, and minium: Beautiful but deadly -- Black ink: Who needs color anyway? -- Gold: Medieval radiance -- Green earth: Unearthly undertones -- The age of canvas: Painting on sails -- Ultramarine: From the Valley of the Stone -- Cochineal: A new world color in art (and your lunch) -- Logwood black: Puritans and pirates -- Cobalt: Blue at the scene of the crime -- Lead white: The enchantress -- Indigo: Girl power in South Carolina -- Gainsborough blue: Never use blue in the center -- Rose: Madame Pompadour's luxurious pink -- Light: And the Age of Enlightenment -- Titian blue: Simply unbelievable -- Indian yellow: Turner, cows, and mangoes -- Madder red: Inventing the color wheel -- Graphite: Pencil lead is not lead -- Mummy brown: Funeral for pharaohs -- Mauve: Chemistry project gone wrong -- Prussian blue: The blue that was supposed to be red -- Emerald green: The mystery of the poisonous wallpaper -- Black and white and sepia: What you can't see in photographs -- Manganese violet: Monet goes outside -- Chrome yellow: Color from Siberia -- Patent blue, tartrazine, and rose Bengal: Mix with potatoes for delicious color -- Cadmium yellow: Listening to colors with Kandinsky -- Lithol red: Endless journey of the eye -- International Klein blue: This is not your blue -- Orange 36 and violet 19: Lichtenstein and the rise of the superheroes -- Painting with light: Pixels as pigment.
520			_aJourney from the Ice Age to the Digital Age with a surprising cast of characters on this worldwide tour of color in art. Discover the strange, intriguing, and humorous stories of your favorite colors, the science behind them, and how they forever changed the courses of art and history. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. The Brilliant History of Color in Art is also a treasure trove of world art, from cave paintings to Roman treasures and Chinese dragon scrolls; to works by Titian and Michelangelo, Monet and Kandinsky, Rothko and Hockney; to contemporary sculpture and graffiti art. Many of the book's 166 spectacular images are from the collections of the J. Paul Getty Museum.
650		0	_aColor in art _xHistory. _9298029
650		0	_aArt _xTechnique _xHistory. _9298030
650		0	_aColors _xAnalysis. _9298031
710	2		_aJ. Paul Getty Museum. _948471
994			_aC0 _bNFG
942	0	0	_04
999			_c225816 _d225816