000			03617cam a2200469 i 4500
001			ocn933719965
003			OCoLC
005			20180722223139.0
008			151231t20162016nyua bc 000 0 eng c
010			_a 2015960601
040			_aBTCTA _beng _erda _cBTCTA _dOCLCQ _dYDXCP _dMZA _dMMX _dBDX _dOCLCO _dAZU _dCHVBK _dOSU _dZLM _dOCLCF _dMUU _dUBY _dDLC _dOMB _dFM0 _dFDA _dVP@ _dNFG
019			_a922921493
020			_a9781633450059 _q(hardback)
020			_a1633450058 _q(hardback)
024	8		_zMoMA 2352
035			_a(OCoLC)933719965 _z(OCoLC)922921493
042			_apcc
092			_a759.4 _bH374
049			_aNFGA
100	1		_aHauptman, Jodi, _eauthor. _9311245
245	1	0	_aDegas : _ba strange new beauty / _cJody Hauptman ; with essays by Carol Armstrong [and 11 others].
246	3	0	_aStrange new beauty
264		1	_aNew York : _bThe Museum of Modern Art, _c[2016]
264		4	_c©2016.
300			_a239 pages : _billustrations (chiefly color) ; _c26 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aPublished in conjunction with the exhibition Edgar Degas: a strange new beauty, at The Museum of Modern Art, New York, March 26 - July 24, 2016, organized by Jodi Hauptman, Senior Curator, Department of Drawings and Prints, with Richard Kendall.
504			_aIncludes bibliographical references (pages 236-238).
505	0	0	_tIntroduction / _rJodi Hauptman -- _tAn anarchist in art : _tDegas and the monotype / _rRichard Kendall -- _tDegas in the dark / _rCarol Armstrong -- _tIndelible ink : _tDegas's methods and materials / _rKarl Buchberg and Laura Neufeld -- _gPlates -- _tThe singular multiple / _rStephanie O'Rourke -- _tDefined by light / _rKimberly Schenck -- _tDarkness and the light of lamps / _rHollis Clayson -- _tOn smoke / _rSamantha Friedman -- _tAn "anti-spectacular" art / _rKathryn Brown -- _tStockings and mirrors / _rRaisa Rexer -- _tMovement and landscape / _rJonas Beyer -- _tFrieze of dancers / _rJill DeVonyar.
520			_a"Edgar Degas is best known as a chronicler of the ballet, yet his work in monotype reveals his restless experimentation. In the mid-1870s, Degas was introduced to the monotype process -- drawing in ink on a metal plate that was then run through a press. Captivated by the monotype's potential, he embraced it with enthusiasm, taking the medium to radical ends. He expanded the possibilities of drawing, created surfaces with heightened tactility, and invented new means for new subjects, from dancers in motion to the radiance of electric light, from women in intimate settings to meteorological effects in nature. With his monotypes, Degas is at his most modern, capturing the spirit of urban life, depicting the body in new ways, and exploring abstraction. Published to accompany an exhibition at MoMA, this richly illustrated catalogue presents approximately 120 monotypes and some 60 related works in other mediums. Texts by curators, scholars, and conservators explore the creative potency of Degas's rarely seen monotypes and highlight their impact on his wider practice." -- Publisher's description
600	1	0	_aDegas, Edgar, _d1834-1917 _vExhibitions. _9311246
650		0	_aMonotype (Engraving) _y19th century _vExhibitions. _9311247
700	1		_aDegas, Edgar, _d1834-1917. _tWorks. _kSelections. _9311248
700	1		_aArmstrong, Carol M., _eauthor of essay. _974239
710	2		_aMuseum of Modern Art (New York, N.Y.), _ehost institution. _922621
740	0		_aEdgar Degas: a strange new beauty
994			_aC0 _bNFG
942	0	0	_00
999			_c236713 _d236713