| 000 | 02600cam a2200421Ia 4500 | ||
|---|---|---|---|
| 001 | ocn970655893 | ||
| 003 | OCoLC | ||
| 005 | 20180722224129.0 | ||
| 008 | 170127s2017 sz ac bc 000 0deng d | ||
| 040 |
_aOHX _beng _cOHX _dNLGGC _dMZA _dOCLCF _dOCLCQ _dJPG _dNFG |
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| 016 | 7 |
_a1120033101 _2DE-101 |
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| 020 | _a9783906053363 | ||
| 020 | _a3906053369 | ||
| 020 |
_a9783775742399 _q(English book trade edition ; _qhd. bd.) |
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| 020 |
_a3775742395 _q(English book trade edition ; _qhd. bd.) |
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| 024 | 3 | _a9783775742399 | |
| 035 | _a(OCoLC)970655893 | ||
| 041 | 1 |
_aeng _hger |
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| 092 |
_a709.944 _bM742 |
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| 049 | _aNFGA | ||
| 100 | 1 |
_aMonet, Claude, _d1840-1926. _969038 |
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| 245 | 1 | 0 |
_aMonet : _blight, shadow, and reflection / _cedited by Ulf Küster for the Fondation Beyeler ; with contributions by Maria Becker [and five others] ; translations, John Ormrod, Bronwen Saunders, John Tittensor. |
| 246 | 3 | 0 | _aLight, shadow, and reflection |
| 260 |
_aBasel : _bFondation Beyeler ; _aBerlin : _bHatje Cantz, _cc2017. |
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| 300 |
_a178 pages : _billustrations (chiefly color), portraits ; _c32 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aCatalog of an exhibition held at the Fondation Beyeler, Riehen / Basel, January 22 - May 28, 2017. | ||
| 504 | _aIncludes bibliographical references. | ||
| 520 | 8 | _aThe world's appearance would be shaken if we succeeded in perceiving the spaces in between things as 'things'.? These words from the philosopher Maurice Merleau-Ponty apply to the core of Claude Monet?s art in the years between 1880 and the beginning of the twentieth century. While interest usually lies only on the early and late work of this exceptional artist, the catalogue, containing more than fifty works of art, traces the development between these two periods. Accompanied by texts by well-known art historians, the reader is invited to follow Monet?s unusual treatment of reflections and shadows in his paintings. It allowed him to break loose from the modalities of representational logic and the pictorial object. And they made room for an aesthetic that helped to do justice to perception itself and to enforce a painting?s self-reflexive momentum. Exhibition: Fondation Beyeler, Riehen/Basel, Zwitserland (22.01.2017-28.05.2017). | |
| 600 | 1 | 0 |
_aMonet, Claude, _d1840-1926 _vExhibitions. _9178119 |
| 650 | 0 |
_aLight in art _vExhibitions. _9326505 |
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| 700 | 1 |
_aKüster, Ulf. _9326506 |
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| 700 | 1 |
_aBecker, Maria. _9326507 |
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| 710 | 2 |
_aFondation Beyeler. _9326508 |
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| 994 |
_aC0 _bNFG |
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| 999 |
_c248444 _d248444 |
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