000 | 01860cam a2200337 i 4500 | ||
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001 | on1005696148 | ||
003 | OCoLC | ||
005 | 20190616223343.0 | ||
008 | 180205t20182018oru 000 p eng | ||
010 | _a 2018002485 | ||
040 |
_aDLC _beng _erda _cDLC _dGK8 _dILE _dOCLCO _dGK8 _dYDX _dOCLCO _dJP3 _dNFG |
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020 |
_a9781941040973 _qpaperback |
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020 |
_a1941040977 _qpaperback |
||
035 | _a(OCoLC)1005696148 | ||
042 | _apcc | ||
092 |
_a811.6 _bP598 |
||
049 | _aNFGA | ||
100 | 1 |
_aPico, Tommy, _eauthor. _9314903 |
|
245 | 1 | 0 |
_aJunk / _cTommy Pico. |
250 | _aFirst US edition. | ||
264 | 1 |
_aPortland, Oregon : _bTin House Books, _c2018. |
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264 | 4 | _c©2018 | |
300 |
_a72 pages ; _c23 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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520 |
_a"The third book in Tommy Pico's Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons's Garbage, Teebs names this liminal space "Junk," in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of "being" for the sake of being? And will there be Chili Cheese Fritos?"-- _cProvided by publisher. |
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650 | 0 |
_aPoetry. _95182 |
|
655 | 7 |
_aNarrative poetry. _2lcgft _9403628 |
|
994 |
_aC0 _bNFG |
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999 |
_c272479 _d272479 |