000 | 05173cam a2200529 i 4500 | ||
---|---|---|---|
001 | on1002129696 | ||
003 | OCoLC | ||
005 | 20180722230531.0 | ||
008 | 171016t20182018nyuab bc 001 0 eng c | ||
010 | _a 2017049328 | ||
040 |
_aNNFr/DLC _beng _erda _cDLC _dOCLCO _dOCLCA _dYDX _dOCLCO _dZLM _dMUU _dCNNGC _dVLR _dUBY _dCHVBK _dOCLCO _dKSU _dEUM _dNFG |
||
020 |
_a9781588396402 _q(hardcover) |
||
020 |
_a1588396401 _q(hardcover) |
||
035 | _a(OCoLC)1002129696 | ||
042 | _apcc | ||
092 |
_a759.13 _bK84 |
||
049 | _aNFGA | ||
100 | 1 |
_aKornhauser, Elizabeth Mankin, _d1950- _eauthor. _9164921 |
|
245 | 1 | 0 |
_aThomas Cole's journey : _bAtlantic crossings / _cElizabeth Mankin Kornhauser and Tim Barringer ; with Dorothy Mahon, Christopher Riopelle, and Shannon Vittoria. |
246 | 3 | _aAtlantic crossings | |
264 | 1 |
_aNew York : _bThe Metropolitan Museum of Art, _c[2018] |
|
264 | 4 | _c©2018 | |
264 | 2 |
_aNew Haven : _bDistributed by Yale University Press |
|
300 |
_a287 pages : _billustrations (some color), maps (some color) ; _c29 cm |
||
336 |
_atext _btxt _2rdacontent |
||
336 |
_astill image _bsti _2rdacontent |
||
336 |
_acartographic image _bcri _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
500 | _aThis catalogue is published in conjunction with "Thomas Cole's Journey: Atlantic Crossings" on view at The Metropolitan Museum of Art, New York, from January 30 through May 13, 2018, and at the National Gallery, London, from June 11 through October 7, 2018. | ||
504 | _aIncludes bibliographical references (pages 275-279) and index. | ||
520 | 8 | _aThomas Cole (1801-1848), arguably the greatest American landscape artist of his generation, is presented here in a new light: as an international figure, born in England, and in dialogue with the major landscape painters of the age, including J.M.W. Turner and John Constable. Cole traveled in Europe from 1829 to 1832. Thomas Cole's Journey reexamines his seminal works of 1832-36--notably The Oxbow and Course of Empire--as a culminating response to his experiences of British art and society and of Italian landscape painting. These, combined with Cole's passion for the American wilderness and his horror of the industrial revolution in Britain, led him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States and the ecological changes then underway. This groundbreaking book also discusses Cole's influence on later artists, from Frederic Edwin Church to Ed Ruscha. | |
505 | 0 | 0 |
_tThomas Cole's Atlantic Crossings / _rTim Barringer -- _tManifesto for an American Sublime: Thomas Cole's The Oxbow / _rElizabeth Mankin Kornhauser -- _tThomas Cole and the landscape oil sketch / _rChristopher Riopelle -- _tThomas Cole's The Oxbow and the consummation of empire: a technical comparison / _rDorothy Mahon -- _tCatalogue. _tIndustrial England ; _tAmerican wilderness ; _tLondon : imperial metropolis ; _tItaly : the grand tour ; _tAmerican citizenship and consummation ; _tCole's legacy -- _tChronology / _rShannon Vittoria. |
520 | _a"Thomas Cole (1801-1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole's Journey emphasizes the artist's travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. Presenting the artist's most renowned paintings--The Oxbow (1836) and The Course of Empire cycle (1834-36)--as the culmination of his European experiences and of his abiding passion for the American wilderness, this lavishly illustrated catalogue provides a new perspective on these cherished masterpieces. Four essays examine how Cole's first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation." -- Publisher's description | ||
600 | 1 | 0 |
_aCole, Thomas, _d1801-1848 _vExhibitions. _9361325 |
600 | 1 | 0 |
_aCole, Thomas, _d1801-1848 _xEnglish influences _vExhibitions. _9361326 |
600 | 1 | 0 |
_aCole, Thomas, _d1801-1848 _xItalian influences _vExhibitions. _9361327 |
600 | 1 | 0 |
_aCole, Thomas, _d1801-1848 _xInfluence _vExhibitions. _9361328 |
655 | 7 |
_aExhibition catalogs. _2lcgft _9270379 |
|
700 | 1 |
_aBarringer, T. J., _eauthor. _9361329 |
|
700 | 1 |
_aMahon, Dorothy, _ewriter of suppelementary textual content. _9361330 |
|
700 | 1 |
_aRiopelle, Christopher, _ewriter of suppelementary textual content. _9361331 |
|
700 | 1 |
_aVittoria, Shannon, _ewriter of supplementary textual content. _9361332 |
|
710 | 2 |
_aMetropolitan Museum of Art (New York, N.Y.), _eissuing body, _ehost institution. _921392 |
|
710 | 2 |
_aNational Gallery (Great Britain), _ehost institution. _9296797 |
|
994 |
_aC0 _bNFG |
||
999 |
_c275250 _d275250 |