000 | 02653cam a2200385Ii 4500 | ||
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001 | ocn978378772 | ||
003 | OCoLC | ||
005 | 20180722230532.0 | ||
008 | 170317t20172017enkac e b 001 0 eng d | ||
010 | _a 2017941588 | ||
040 |
_aYDX _beng _erda _cYDX _dSINLB _dOCLCF _dUAB _dNZAUC _dNYP _dVP@ _dHTM _dIGA _dU3W _dZQP _dDAC _dNFG |
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019 |
_a975110801 _a975385558 _a975846372 _a976044518 _a976256134 _a1008577707 _a1012825037 |
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020 |
_a0500239738 _q(hardcover) |
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020 | _a9780500239735 | ||
035 |
_a(OCoLC)978378772 _z(OCoLC)975110801 _z(OCoLC)975385558 _z(OCoLC)975846372 _z(OCoLC)976044518 _z(OCoLC)976256134 _z(OCoLC)1008577707 _z(OCoLC)1012825037 |
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092 |
_a750.1 _bB433 |
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049 | _aNFGA | ||
100 | 1 |
_aBell, Julian, _d1952- _eauthor. _9120051 |
|
245 | 1 | 0 |
_aWhat is painting? / _cJulian Bell. |
250 | _aNew edition. | ||
250 | _aRevised edition. | ||
264 | 1 |
_a[London] : _bThames & Hudson, _c[2017]. |
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264 | 4 | _c©2017 | |
300 |
_a224 pages : _billustrations (some color), portraits ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aFirst published 1999. | ||
504 | _aIncludes bibliographical references (pages 206-213) and index. | ||
505 | 0 | _aImages and marks -- Sight and knowledge -- Form and time -- Expression -- The arts and art -- Representation. | |
520 |
_a"Yes, but is it art? This lucid book by Julian Bell, himself a painter, confronts the uncertainty many people feel about art today and challenges generally accepted ideas. Now in a completely revised second edition, What is Painting? is a fresh, focused look at painting. Bell addresses questions such as does anything unite those objects we call paintings? and what factors have changed the nature of painting over the last two centuries? by looking at historical evidence and reasoning from common experience. The current shape of painting pushes the book's arguments in new directions and a substantial new chapter, The Arts and Art, speaks to the interplay between 2D work, 3D work, and the immateriality of digital imagery. The text has been revised paragraph by paragraph considering both force of presentation and historical perspective. The intention is to provide a general reader's introduction to theories of painting that is not only reliably informative but stimulating and amusing to read. The book is an introductory guide to art theory for everyone interested in understanding modern art or in making art themselves."-- _cProvided by publisher. |
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650 | 0 |
_aPainting _xPhilosophy. _9361363 |
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650 | 0 |
_aPainting, Modern. _9361364 |
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994 |
_aC0 _bNFG |
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999 |
_c275260 _d275260 |