000			03438cam a2200397 i 4500
999			_c285824 _d285824
001			on1031054824
003			OCoLC
005			20181218111842.0
008			180322t20182018txua b s001 0deng c
010			_a 2018014320
020			_a9781477317709 _qhardcover _qalkaline paper
020			_a1477317708 _qhardcover _qalkaline paper
020			_a9781477318393
035			_a(OCoLC)1031054824 _z(OCoLC)1029879720 _z(OCoLC)1030022393
040			_aICU/DLC _beng _erda _cDLC _dOCLCO _dOCLCF _dYDX _dBDX _dDLC _dOCLCA _dERASA _dTDF _dIKM _dQQ3 _dOLC _dILE _dIGA _dYDX _dWLU _dOCLCO _dTNX _dNFG
042			_apcc
049			_aNFGA
092			_a782.4216 _bT592
100	1		_aTinsley, Omise'eke Natasha, _d1971- _eauthor. _9380675
245	1	0	_aBeyoncé in formation : _bremixing Black feminism / _cOmise'eke Natasha Tinsley.
250			_aFirst edition.
264		1	_aAustin : _bUniversity of Texas Press, _c2018.
264		4	_c©2018
300			_a204 pages ; _c22 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 177-199) and index.
505	0		_aIntroduction: for the Texas bama femme -- Family album: making lemonade out of marriage, motherhood, and southern tradition -- Queen bee blues -- Mama said shoot -- Most bomb pussy: toward a black feminist pleasure politics -- Love the grind -- Unapologetically femme -- Calling for freedom: black women's activism in the US south -- Freedom, too -- I came to slay -- Outro: I know Beyonće loves black femmes.
520			_aMaking headlines when it was launched in 2015, Omise'eke Natasha Tinsley's undergraduate course "Beyonce Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyonce in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital next-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley's "Femme-onade" mixtape explores myriad facets of black women's sexuality and gender. Turning to Beyonce's "Don't Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in "Daddy Lessons," interspersing these passages with memories from Tinsley's multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video "Formation," underscoring why Beyonce's black femme-inism isn't only for ciswomen. From pleasure politics and the struggle for black women's reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey's provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay's Bad Feminist and Jill Lepore's bestselling cultural histories, Beyonce in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.
600	0	0	_aBeyoncé, _d1981- _914507
650		0	_aAfrican American women singers. _9380676
650		0	_aAfrican American feminists. _9380677
650		0	_aFeminism and music. _9380678
942			_2ddc _cBOOK