000 | 02910cam a22004338i 4500 | ||
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001 | on1078960034 | ||
003 | OCoLC | ||
005 | 20190723140933.0 | ||
008 | 181130s2019 nyuacf bk 001 0deng | ||
010 | _a 2018057437 | ||
040 |
_aDLC _beng _erda _cDLC _dYDX _dBDX _dOCLCQ _dOCLCF _dORX _dUKMGB _dTP7 _dACN _dIH9 _dUAP _dCLE _dNFG |
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015 |
_aGBB9A1616 _2bnb |
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016 | 7 |
_a019428074 _2Uk |
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019 |
_a1066125192 _a1101635968 |
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020 |
_a9781501151194 _q(hardcover ; _qalkaline paper) |
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020 |
_a1501151193 _q(hardcover ; _qalkaline paper) |
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035 |
_a(OCoLC)1078960034 _z(OCoLC)1066125192 _z(OCoLC)1101635968 |
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042 | _apcc | ||
043 | _an-us-nv | ||
092 |
_aPresley, E. _bZ85 |
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049 | _aNFGA | ||
100 | 1 |
_aZoglin, Richard, _eauthor. |
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245 | 1 | 0 |
_aElvis in Vegas : _bhow the King reinvented the Las Vegas show / _cRichard Zoglin. |
250 | _aFirst Simon & Schuster hardcover edition. | ||
263 | _a1907 | ||
264 | 1 |
_aNew York : _bSimon & Schuster, _c2019. |
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300 |
_av, 296 pages, 16 unnumbered pages of plates : _billustrations, portraits (black and white) ; _c23 cm |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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520 | _aElvis's 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour--bad movies, and mediocre pop songs that no longer made the charts. He'd been dismissed by most critics as over the hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews, "Suspicious Minds" gave him his first number-one hit in seven years, and Elvis became Vegas's biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed too. The intimate night-club-style shows of the Rat Pack, who made Vegas the nation's premier live-entertainment center in the 1950s and '60s, catered largely to well-heeled older gamblers. Elvis brought a new kind of experience: an over-the-top, rock-concert-like extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. In doing so, he opened the door to a new generation of pop/rock performers, and brought a new audience to Vegas--a mass audience from Middle America that Vegas depends on for its success to this day. | ||
504 | _aIncludes bibliographical references (pages 257-279), discography, and index. | ||
600 | 1 | 0 |
_aPresley, Elvis, _d1935-1977 _xCriticism and interpretation. |
650 | 0 |
_aPopular music _zNevada _zLas Vegas _xHistory and criticism. |
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651 | 0 |
_aLas Vegas (Nev.) _xHistory. |
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655 | 7 |
_aBiographies. _2lcgft |
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994 |
_aC0 _bNFG |
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999 |
_c291660 _d291660 |