000 | 02730cam a22003858i 4500 | ||
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001 | on1137808035 | ||
003 | OCoLC | ||
005 | 20201130115831.0 | ||
008 | 200415t20202020nyuab e b 001 0deng | ||
010 | _a 2020005526 | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCO _dOCLCQ _dOCLCF _dJOZ _dGL4 _dIUK _dNFG |
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019 | _a1202728654 | ||
020 |
_a9780525655329 _q(hardcover) |
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020 |
_a0525655328 _q(hardcover) |
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035 |
_a(OCoLC)1137808035 _z(OCoLC)1202728654 |
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042 | _apcc | ||
092 |
_a791.4302 _bS559 |
||
049 | _aNFGA | ||
100 | 1 |
_aShone, Tom, _d1967- _eauthor. _9182156 |
|
245 | 1 | 4 |
_aThe Nolan variations : _bthe movies, mysteries, and marvels of Christopher Nolan / _cTom Shone. |
250 | _aFirst edition. | ||
263 | _a2010 | ||
264 | 1 |
_aNew York : _bAlfred A. Knopf, _c2020. |
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264 | 4 | _c©2020 | |
300 |
_a381 pages : _billustrations (some color), color map ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
520 |
_a"A rare, intimate portrait of Christopher Nolan with the full cooperation of Nolan himself who opened up more fully than ever before in his talks with Tom Shone. In chapters structured by themes and motifs (Time; Chaos), Shone writes of Nolan's thoughts on movies, on plots; on time, identity, perception, chaos, daydreams. Here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films. To write the book, Tom Shone, who has known Nolan for more than two decades and who spent months with the director, was given unprecedented access to Nolan's notes, scripts, storyboards, and artwork. In this riveting portrait of an artist, Shone deftly navigates Nolan's themes, influences, and working methods (both in writing and directing). Here is his trans-Atlantic childhood (It makes you feel very differently about the concept of 'home') . . . how he dreamed up the plot of Inception lying awake one night in his dorm (I prized the imaginative space of listening to music in the dark, thinking about things, imagining things, films, stories) . . . his color-blindness and its effect on Memento (People are fascinated by other people's perception of the world and the way in which it differs) . . . his obsession with puzzles and optical illusions . . . and much, much more."-- _cProvided by publisher. |
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600 | 1 | 0 |
_aNolan, Christopher, _d1970- _xCriticism and interpretation. _9212617 |
650 | 0 |
_aMotion picture producers and directors _zUnited States _vBiography. _972666 |
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650 | 0 |
_aMotion pictures _zUnited States _xHistory and criticism. _9393223 |
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994 |
_aC0 _bNFG |
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999 |
_c319093 _d319093 |