000 | 02726cam a2200421Ii 4500 | ||
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001 | ocm57214781 | ||
003 | OCoLC | ||
005 | 20210121084345.0 | ||
008 | 041213s2001 cau 000 0 eng d | ||
010 | _z 93027573 | ||
040 |
_aEDK _beng _erda _cEDK _dOCLCQ _dAU@ _dLMR _dCNVPL _dCPE _dGZI _dTTS _dORX _dBDX _dWEA _dOCLCF _dEDK _dOCLCA _dS3O _dSFR _dOCLCQ _dQQ3 _dOCL _dNFG |
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019 | _a982666918 | ||
020 | _z0961454733 | ||
020 | _a9780961454739 | ||
020 | _a0961454733 | ||
035 |
_a(OCoLC)57214781 _z(OCoLC)982666918 |
||
092 |
_a701.15 _bB358 |
||
049 | _aNFGA | ||
100 | 1 |
_aBayles, David, _eauthor. |
|
245 | 1 | 0 |
_aArt & fear : _bobservations on the perils (and rewards) of artmaking / _cDavid Bayles, Ted Orland. |
246 | 3 | _aArt and fear | |
246 | 3 | _aObservations on the perils (and rewards) of artmaking | |
250 | _aFirst Image Continuum Press edition. | ||
264 | 1 |
_aSanta Cruz, California : _bImage Continuum, _c2001. |
|
264 | 4 | _c©2001 | |
300 |
_a122 pages ; _c21 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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505 | 0 | _aIntroduction -- Nature Of The Problem: -- Few assumptions -- Art & Fear: -- Vision & execution -- Imagination -- Materials -- Uncertainty -- Fears About Yourself: -- Pretending -- Talent -- Perfection -- Annihilation -- Magic -- Expectations -- Fears About Others: -- Understanding -- Acceptance -- Approval -- Finding Your Work: -- Canon -- Outside World: -- Ordinary problems -- Common ground -- Art issues -- Competition -- Navigating the system -- Academic World: -- Faculty issues -- Student issues -- Books about art -- Conceptual Worlds: -- Ideas and technique -- Craft -- New work -- Creativity -- Habits -- Art & science -- Self-reference -- Metaphor -- Human Voice: -- Questions -- Constants -- Vox humana. | |
520 | _aOverview: "This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially - statistically speaking - there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."--The Introduction | ||
650 | 0 |
_aArtists _xPsychology. _9212546 |
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650 | 0 |
_aCreation (Literary, artistic, etc.) _940137 |
|
650 | 0 |
_aArtist's block. _9230083 |
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650 | 0 | _aFear of failure. | |
700 | 1 |
_aOrland, Ted, _eauthor. |
|
994 |
_aC0 _bNFG |
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999 |
_c323652 _d323652 |