000			04110cam a2200457 i 4500
001			on1233031517
003			OCoLC
005			20211102150434.0
008			210220t20212021nyuaf b 001 0 eng
010			_a 2020056224
040			_aLBSOR/DLC _beng _erda _cDLC _dOCLCO _dOCLCF _dGAT _dOCO _dJAS _dGL4 _dGO4 _dYDX _dNFG
019			_a1262787698 _a1266264955 _a1273920223
020			_a9780525656876 _qhardcover
020			_a0525656871 _qhardcover
035			_a(OCoLC)1233031517 _z(OCoLC)1262787698 _z(OCoLC)1266264955 _z(OCoLC)1273920223
042			_apcc
043			_an-us---
092			_a791.4365 _bH419
049			_aNFGA
100	1		_aHaygood, Wil, _eauthor. _9370954
245	1	0	_aColorization : _bone hundred years of Black films in a white world / _cWil Haygood.
250			_aFirst edition.
264		1	_aNew York : _bAlfred A. Knopf, _c2021.
264		4	_c©2021
300			_aviii, 452 pages, 8 unnumbered pages of plates : _billustrations (some color) ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"This is a Borzoi Book published By Alfred A. Knopf"--Title page verso.
504			_aIncludes bibliographical references (pages 403-423) and index.
505	0		_aMovie night at Woodrow Wilson's White House -- The rare and extraordinary sighting of a Black filmmaker -- The imitation game -- A most peculiar kind of fame -- An interlude -- 1933, Babyface & Chico -- Flashback, The 1939 Academy Awards -- Dangerous love, starring Inger Stevens, Sammy Davis Jr., James Edwards, Ike Jones, and Dorothy Dandridge -- The pricey Black movie that vanished, and how it came to be -- Two cool cats with Caribbean roots disrupt Hollywood -- Flashback, 1964 Academy Awards -- The hustlers, detectives, and pimps who stunned Hollywood -- Foxy Brown arrives, vanishes, and gets resurrected -- Flashback, 1972 Academy Awards -- Berry Gordy dares to make movies -- Kunta Kinte seizes the moment -- Aiming a camera in Brooklyn -- The blackout that haunted a decade -- An interlude -- The ghost of Sidney -- The reckoning -- The front page -- Moving in the Moonlight -- The scourged back.
520			_a"The author of The Butler and Showdown examines 100 years of Black movies--using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture and the civil rights movement in America. Beginning in 1915 with D.W. Griffith's The Birth of a Nation--which glorified the Ku Klux Klan and became Hollywood's first blockbuster--Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, onscreen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X to the O.J. Simpson trial to the Black Lives Matter movement. He considers the films themselves--including The Imitation of Life, Gone With the Wind, Porgy & Bess, the Blaxploitation films of the 70s, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava Duvernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema, and a groundbreaking perspective on racism in modern America"-- _cProvided by publisher.
650		0	_aAfrican Americans in motion pictures. _9127530
650		0	_aRace in motion pictures. _9247965
650		0	_aRacism in motion pictures.
650		0	_aMotion pictures _zUnited States _xHistory. _924328
651		0	_aUnited States _xRace relations. _928230
655		7	_aFilm criticism. _2lcgft
655		7	_aInstructional and educational works. _2lcgft _9296635
994			_aC0 _bNFG
999			_c336366 _d336366