000			03258cam a2200433 i 4500
001			on1302898284
003			OCoLC
005			20220325115011.0
008			220118t20222022nyu e b 000 0 eng d
040			_aZPT _beng _erda _cZPT _dCPL _dRNL _dGL4 _dJFL _dOCLCO _dNFG
019			_a1298599447
020			_a9780063050839 _q(paperback)
020			_a0063050838 _q(paperback)
035			_a(OCoLC)1302898284 _z(OCoLC)1298599447
092			_a391.009 _bH996
049			_aNFGA
100	1		_aHyland, Véronique, _eauthor.
245	1	0	_aDress code : _bunlocking fashion from the new look to millennial pink / _cVéronique Hyland.
246	3	0	_aDress code
250			_aFirst edition.
264		1	_aNew York : _bHarper Perennial, _c[2022]
264		4	_c©2022.
300			_axii, 268 pages ; _c21 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 267-268).
505	0		_apart I. Underpinnings : why we wear what we wear: Think pink ; The kids are alright ; The "French girl" industrial complex ; Patagonia on Bedford Avenue ; Caviar on a potato chip -- part II. The top layer : fashion and the wider world: Déjà hue ; Who is she? ; Why can't I be you? ; Trial by fashion -- part III. High heels : dressing up for the patriarchy: Gaze of our lives ; The revolution will be spandex-clad ; Politics and fashion : we can't win -- part IV. Moon boots and jumpsuits : the future of fashion: Dress for the job you want : the tyranny of the uniform ; Basic instinct : why we're all starting to dress the same ; The couture body -- Epilogue.
520			_a"Everything--from societal changes to the progress (or lack thereof) of women's rights to the hidden motivations behind what we choose to wear to align ourselves with a particular social group--can be tracked through clothing. Veronique Hyland examines thought-provoking questions such as: Why has the "French girl" persisted as our most undying archetype? What does "dressing for yourself" really mean for a woman? How should a female politician dress? Will gender-differentiated fashion go forever out of style? How has social media affected and warped our sense of self-presentation, and how are we styling ourselves expressly for it? Not everyone participates in painting, literature, or film. But there is no "opting out" of fashion. And yet, fashion is still seen as superficial and trivial, and only the finest of couture is considered as art. Hyland argues that fashion is a key that unlocks questions of power, sexuality, and class, taps into history, and sends signals to the world around us. Clothes means something--even if you're "just" wearing jeans and a T-shirt."-- _cprovided by publisher.
650		0	_aFashion _xSocial aspects. _9212564
650		0	_aFashion _xHistory _y21st century. _9254085
650		0	_aFashion design _xSocial aspects.
650		0	_aFashion design _xHistory _y21st century. _9365311
650		0	_aClothing and dress _xSocial aspects. _9205814
650		0	_aClothing and dress _xHistory _y21st century. _9254084
650		0	_aClothing trade _xSocial aspects. _9212562
650		0	_aClothing trade _xHistory _y21st century.
994			_aC0 _bNFG
999			_c344304 _d344304