000			04958cam a2200457 i 4500
001			on1151890073
003			OCoLC
005			20220929081249.0
008			191212t20202020njuach bc 001 0 eng d
010			_a 2019957026
040			_aERASA _beng _erda _cDLC _dERASA _dBDX _dYDX _dY#4 _dKI2 _dOCLCF _dCLE _dYDXIT _dTXI _dGZN _dUSD _dVRC _dCHVBK _dEEM _dOSU _dSOI _dFNE _dIL4J6 _dUKMGB _dDGU _dNJR _dIBI _dJYJ _dS1C _dNFG
015			_aGBC101923 _2bnb
016	7		_a019969203 _2Uk
019			_a1112906417 _a1157814180 _a1242964140
020			_a9780300250886 _q(hardback)
020			_a0300250886 _q(hardback)
035			_a(OCoLC)1151890073 _z(OCoLC)1112906417 _z(OCoLC)1157814180 _z(OCoLC)1242964140
042			_alccopycat
043			_an-us---
092			_a070.49 _bL722
049			_aNFGA
245	0	0	_aLife magazine and the power of photography / _cedited by Katherine A. Bussard, Kristen Gresh.
264		1	_aPrinceton, NJ : _bPrinceton University Art Museum, _c[2020]
264		2	_aNew Haven : _bDistributed by Yale University Press
264		4	_c©2020
300			_a331 pages : _billustrations (some color), portraits (some color), facsimiles (some color) ; _c34 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aPublished on the occasion of the exhibition at the Princeton University Art Museum, February 22-June 21, 2020 and Museum of Fine Arts, Boston, August 19-December 13, 2020--Colophon.
504			_aIncludes bibliographical references (pages 320-323) and index.
520			_aFrom the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this publication examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers such as Margaret Bourke-White, Larry Burrows, Henri Cartier- Bresson, Frank Dandridge, Gordon Parks, and W. Eugene Smith is explored in the context of the creative and editorial structures at Life. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this publication presents an array of materials, including caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.
505	0	0	_tLife magazine and the power of photography / _rKatherine A. Bussard and Kristen Gresh -- _tMaking Life possible / _rThierry Gervais -- _tThree dummies for Life (1934-35) / _rThierry Gervais -- _t"A remarkable package of photographs for [a] dime" : how Life became Life / _rMary Panzer -- _tOn deadline : Life as a weekly newsmagazine / _rJason E. Hill -- _tPrinting Life magazine at R. R. Donnelley & Sons / _rEllen Handy -- _tMainstream differences : the distinctive looks of Life and Look / _rSally Stein -- _tLife's impact : circulation, copycats, and reader response / _rErika Doss -- _tMargaret Bourke-White, Life's first cover (1936) / _rSharon Corwin -- _tPhoto-essays at Life / _rNadya Bair -- _tMargaret Bourke-White, "Women in steel" (1943) / _rAlissa Schapiro -- _tYousuf Karsh's portrait of Winston Churchill (1941) / _rJames Leighton -- _tLife's indispensable women / _rDolores Flamiano -- _tMargaret Bourke-White, John Florea, George Rodger, and William Vandivert, "Atrocities" (1945) / _rJeremy Adelman -- _tAlfred Eisenstaedt's V-J Day kiss (1945) / _rRobert Hariman and John Louis Lucaites -- _tThe need for an enemy : Life's use of photography to portray the Cold War / _rKristen Gresh -- _tHenri Cartier-Bresson, "Chinese Gold Rush" (1949) / _rMichel Frizot -- _tW. Eugene Smith, "Nurse midwife" (1951) / _rDalia Habib Linssen -- _tMotion pictures : Hollywood, celebrity, and Life / _rCaitlin E. Ryan -- _tGordon Parks, "Freedom's fearful foe : poverty" (1961) / _rAmanda Maddox and Paul Roth -- _tGeorge Silk, "Perfect ten point landing" (1962) / _rMeghan Angelos -- _tSpatializing race relations in the pages of Life magazine / _rKatherine A. Bussard -- _tFritz Goro, "The amazing laser" (1963) / _rRachael Z. DeLue -- _tAbraham Zapruder, "Split-second sequence as the bullets struck" (1963) / _rCatherine Zuromskis -- _tColor art photography's status in Life magazine / _rAlissa Schapiro -- _tNASA, "To the moon and back" (1969) / _rAlissa Schapiro -- _tPicturing conflict / _rLiam Kennedy -- _tLife's final cover (1972) / _rAlissa Schapiro.
630	0	0	_aLife (New York, N.Y.) _vPictorial works _vExhibitions.
650		0	_aPhotojournalism _zUnited States _xHistory _y20th century _vPictorial works _vExhibitions.
700	1		_aBussard, Katherine A., _eeditor.
700	1		_aGresh, Kristen, _eeditor.
710	2		_aPrinceton University. _bArt Museum, _ehost institution.
994			_aC0 _bNFG
999			_c353320 _d353320