000			03592cam a22003498i 4500
001			on1350246730
003			OCoLC
005			20230503145731.0
008			221103s2023 nyuaf 000 0deng
010			_a 2022052300
040			_aDLC _beng _erda _cDLC _dOCLCF _dACN _dIAW _dNFG
020			_a9780593237410 _q(hardcover)
020			_a0593237412 _q(hardcover)
035			_a(OCoLC)1350246730
042			_apcc
092			_a782.4216 _bZ28
049			_aNFGA
100	1		_aZanes, Warren, _eauthor.
245	1	0	_aDeliver me from nowhere : _bthe making of Bruce Springsteen's Nebraska / _cWarren Zanes.
250			_aFirst edition.
263			_a2305
264		1	_aNew York : _bCrown, _c2023.
300			_axii, 298 pages, 8 unnumbered pages of plates : _billustrations (some color) ; _c22 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
520			_a"An illuminating deep dive into the making of Bruce Springsteen's most surprising album, Nebraska, revealing its pivotal role in Springsteen's career--from the New York Times bestselling author of Petty: The Biography. Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen's hugely successful The River should have been the hit-packed album Born in the U.S.A, but instead, in 1982, he came out with Nebraska, an album consisting of a series of dark songs he had recorded exclusively for himself. But almost forty years later, Nebraska is arguably Springsteen's most important record--the lasting clue if you're looking to understand not just the artist's career and the vision behind it but the man himself. Nebraska was rough and unfinished, recorded on a cassette tape with a simple multi-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. Nebraska expressed a darkness that was reflective of a mood in the country but was also a symptom of trouble in the artist's life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album's release. Warren Zanes spoke to many people involved with making Nebraska, including Bruce Springsteen. He also interviewed more than a dozen celebrated musicians, from Rosanne Cash to Steven Van Zandt, about their reaction to the album. He interweaves these conversations with inquiries into the myriad cultural events, including Terence Malick's Badlands, that influenced Springsteen as he was writing the album's haunting songs. The result is a textured and revelatory account of not only a crucial moment in the career of an icon but also a recording that upended all expectations and predicted a home recording revolution"-- _cProvided by publisher.
505	0		_aPrologue: The rhinoceros club -- Introduction: The king of pop and the beer can -- The first question ; The golden age of bands ; The sound inside that thing ; Suicide in the hallways ; Following the river ; Other people's titles ; Any kind of life? ; The record's center ; Blood in black and white ; 87 Randolph Street ; Darkness on the edge of bed ; How about we stop this? ; Lost in translation ; Taking it to the label ; Nowhere in sight ; Handing it over to the audience ; The word on the streets ; Gone missing ; Follow that dream (wherever that dream may lead) ; On repeat ; Epilogue: seeing the place.
600	1	0	_aSpringsteen, Bruce. _tNebraska.
650		0	_aPopular music _zUnited States _y1981-1990 _xHistory and criticism.
994			_aC0 _bNFG
999			_c367103 _d367103