000			03050cam a2200493 i 4500
001			on1293450330
003			OCoLC
005			20230728092914.0
008			220123t20222022txu b 001 0deng c
010			_a 2022002698
040			_aYUS _beng _erda _cYUS _dBDX _dYDX _dOCLCF _dUKMGB _dTOH _dOCO _dDLC _dTKN _dIND _dGSU _dOBE _dVP@ _dTDF _dNFG
015			_aGBC2E0439 _2bnb
016	7		_a020709323 _2Uk
019			_a1293455090 _a1382338597
020			_a9781477326497 _qhardcover
020			_a1477326499 _qhardcover
020			_a9781477323526 _qpaperback
020			_a147732352X _qpaperback
024	8		_a40031360393
035			_a(OCoLC)1293450330 _z(OCoLC)1293455090 _z(OCoLC)1382338597
042			_apcc
043			_an-us---
092			_a781.642 _bR892
049			_aNFGA
100	1		_aRoyster, Francesca T., _eauthor.
245	1	0	_aBlack country music : _blistening for revolutions / _cFrancesca T. Royster.
250			_aFirst edition.
264		1	_aAustin : _bUniversity of Texas Press, _c2022.
264		4	_c©2022
300			_aix, 230 pages ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aAmerican music series
504			_aIncludes bibliographical references (pages 193-219) and index.
505	0		_aIntroduction. Where my people at? -- Uneasy listening : tuning into Tina Turner's queer frequencies in Tina turns the country on! and other albums -- "Love you, my brother" : Darius Rucker's bro-intimacy and acts of sonic freedom -- How to be an outlaw : Beyoncé's Daddy lessons -- Valerie June : ghost catcher -- Can the Black banjo speak? Notes on Songs of Our Native Daughters -- Thirteen ways of looking at Lil Nas X's Old town road -- Epilogue. Black country afrofuturisms : Mickey Guyton, Rissi Palmer, and DeLila Black.
520			_a""What happens when we look at US country music through a black feminist and queer eye?" Francesca Royster suggests it reveals a group of mostly invisible fans and performers in a "white" musical genre, some of whom are intervening in that space in ways that are creative, risky and inherently "soulful." While loving country music can be an exercise in shaming and rejection for these fans, the music is also a space of creativity, resistance, and power. Royster contends that the pleasures country music offers some Black listeners can be connected to Eve Sedgwick's idea of queerness as "the open mesh of possibilities" within any group that "doesn't signify monolithically." That makes for a useful lens for exploring the ways that country music changes people as they listen, perform and consume, both as individuals and in community"-- _cProvided by publisher.
650		0	_aCountry music _xHistory and criticism. _926058
650		0	_aAfrican Americans _xMusic _xHistory and criticism. _9203129
650		0	_aAfrican American country musicians.
650		0	_aMusic and race _zUnited States. _993168
830		0	_aAmerican music series (Austin, Tex.) _9238338
994			_aC0 _bNFG
999			_c370786 _d370786