000 | 03341cam a2200433 i 4500 | ||
---|---|---|---|
001 | on1331708303 | ||
003 | OCoLC | ||
005 | 20230919124819.0 | ||
008 | 220723t20232023nyua b 001 0 eng | ||
010 | _a 2022027131 | ||
040 |
_aLBSOR/DLC _beng _erda _cDLC _dORX _dOCLCF _dERASA _dJCX _dUAP _dVP@ _dOQX _dMNN _dUND _dYDX _dAPL _dSFB _dFHP _dNFG |
||
019 |
_a1356620731 _a1370402725 _a1372494065 _a1373734764 _a1378817039 |
||
020 |
_a9780525657019 _qhardcover |
||
020 |
_a0525657010 _qhardcover |
||
020 |
_a9781984897862 _qpaperback |
||
020 |
_a1984897861 _qpaperback |
||
035 |
_a(OCoLC)1331708303 _z(OCoLC)1356620731 _z(OCoLC)1370402725 _z(OCoLC)1372494065 _z(OCoLC)1373734764 _z(OCoLC)1378817039 |
||
042 | _apcc | ||
043 | _an-us--- | ||
092 |
_a808.545 _bB471 |
||
049 | _aNFGA | ||
100 | 1 |
_aBennett, Joshua _c(Poet), _eauthor. |
|
245 | 1 | 0 |
_aSpoken word : _ba cultural history / _cJoshua Bennett. |
250 | _aFirst edition. | ||
264 | 1 |
_aNew York : _bAlfred A Knopf, _c2023. |
|
264 | 4 | _c©2023 | |
300 |
_aix, 284 pages : _billustrations ; _c22 cm |
||
336 |
_atext _btxt _2rdacontent |
||
336 |
_astill image _bsti _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
500 | _a"This is a Borzoi book published by Alfred A. Knopf." | ||
504 | _aIncludes bibliographical references (pages [273]-276) and index | ||
520 |
_a"A fascinating history of the art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion. In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House 'Poetry Jam' where Lin Manuel-Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theatre. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the 'slam' format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom. A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what-and whom-the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafes, schools, and rooms full of strangers all across the world"-- _cProvided by publisher. |
||
650 | 0 |
_aSpoken word poetry, American _xHistory and criticism. |
|
650 | 0 |
_aPerformance poetry _zUnited States _xHistory. |
|
650 | 0 |
_aPoetry slams _zUnited States _xHistory. |
|
994 |
_aC0 _bNFG |
||
999 |
_c373742 _d373742 |