000			03661cam a22004578i 4500
001			on1385404225
003			OCoLC
005			20231212144723.0
008			230609s2023 nyu b 001 0ceng
010			_a 2023026370
040			_aDLC _beng _erda _cDLC _dOCLCF _dTOH _dORX _dYDX _dBDX _dOCLCO _dIUO _dOCO _dJTH _dNFG
019			_a1375289427 _a1410821699
020			_a9781538756560 _q(hardcover)
020			_a1538756560 _q(hardcover)
035			_a(OCoLC)1385404225 _z(OCoLC)1375289427 _z(OCoLC)1410821699
042			_apcc
043			_an-us---
092			_a782.4216 _bJ76
049			_aNFGA
100	1		_aJones, Dylan, _d1960- _eauthor.
245	1	0	_aLoaded : _bthe life (and afterlife) of the Velvet Underground / _cDylan Jones.
246	3	0	_aLife and afterlife of the Velvet Underground
250			_aFirst US edition.
264		1	_aNew York : _bGrand Central, _c2023.
300			_axi, 388 pages ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aOriginally published in 2023 by White Rabbit in the United Kingdom.
504			_aIncludes bibliographical references and index.
505	0		_aWelcome to the New City -- The Birth of the Cool -- Inside the Factory -- When Midnight Came Around -- Sex and Drugs and Propulsive Drums -- The Folk Nazis -- What the Hell Is a Stutz Bearcat, Jim? -- Dressing Friends Up Just for Show -- The Gay Blades -- Berlin, Twinned with New York City -- Take a Walk on the Wild Side -- Downtown Confidential -- Dead Money -- Fear Is a Man's Best Friend -- All Tomorrow's Parties -- The Aftermath.
520			_a"Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this definitive oral history celebrates not only the impact of The Velvet Underground but their legacy, which burns brighter than ever in the 21st century. Rebellion always starts somewhere, and in the music world of the transgressive teen--whether it be the 1960s or the 2020s--The Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band--a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory--The Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band's whirlwind of subversion and, in a narrative rich in drama and detail, proves why The Velvets remain the original kings and queens of edge"-- _cProvided by publisher.
610	2	0	_aVelvet Underground (Musical group) _964995
610	2	0	_aVelvet Underground (Musical group) _vInterviews.
650		0	_aRock music _zUnited States _xHistory and criticism. _951103
600	1	0	_aWarhol, Andy, _d1928-1987. _9114064
650		0	_aRock musicians _zUnited States _vInterviews. _9190498
655		7	_aBiographies. _2lcgft _9870
655		7	_aInterviews. _2lcgft
994			_aC0 _bNFG
999			_c377328 _d377328