000 | 03093cam a22004458i 4500 | ||
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001 | on1391136136 | ||
003 | OCoLC | ||
005 | 20240507095202.0 | ||
008 | 230725t20242024nyuaf b 001 0ceng | ||
010 | _a 2023028575 | ||
040 |
_aDLC _beng _erda _cDLC _dYDX _dBDX _dOCLCO _dOCLCF _dLJW _dOCLCO _dLJW _dOCO _dOJ4 _dNYP _dGO3 _dMWD _dTOH _dNFG |
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020 |
_a9780593317525 _q(hardcover) |
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020 |
_a0593317521 _q(hardcover) |
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035 | _a(OCoLC)1391136136 | ||
042 | _apcc | ||
043 |
_an-us--- _an-us-ny |
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092 |
_a792.8097 _bV139 |
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049 | _aNFGA | ||
100 | 1 |
_aValby, Karen, _eauthor. |
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245 | 1 | 4 |
_aThe swans of Harlem : _bfive Black ballerinas, fifty years of sisterhood, and their reclamation of a groundbreaking history / _cKaren Valby. |
250 | _aFirst edition. | ||
264 | 1 |
_aNew York : _bPantheon Books, _c[2024] |
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264 | 4 | _c©2024 | |
300 |
_a292 pages, 8 unnumbered pages of plates : _billustrations ; _c25 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 263-271) and index. | ||
520 |
_a"The forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now. At the height of the Civil Rights movement, Lydia Abarça was a Black prima ballerina with a major international dance company-the Dance Theatre of Harlem. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star, cast in The Wiz and on Broadway with Bob Fosse. She performed in some of ballet's most iconic works with her closest friends-founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton-for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond. Some forty years later, when Lydia's granddaughter wanted to show her own ballet class evidence of her grandmother's success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves. Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long"-- _cProvided by publisher. |
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650 | 0 |
_aAfrican American ballerinas _vBiography. |
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610 | 2 | 0 |
_aDance Theatre of Harlem _xHistory. |
600 | 1 | 0 | _aAbarca, Lydia. |
600 | 1 | 0 | _aMcKinney, Gayle. |
600 | 1 | 0 | _aRohan, Sheila. |
600 | 1 | 0 | _aSells, Marcia Lynn. |
600 | 1 | 0 | _aShelton, Karlya. |
650 | 0 |
_aBallet _zUnited States _xHistory. |
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655 | 7 |
_aBiographies. _2lcgft _9870 |
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994 |
_aC0 _bNFG |
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999 |
_c379257 _d379257 |