000 | 03129cam a2200373 i 4500 | ||
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001 | on1416904538 | ||
003 | OCoLC | ||
005 | 20240315134452.0 | ||
008 | 230913t20242024nyu 000 0 eng d | ||
010 | _a 2023933930 | ||
040 |
_aCGP _beng _erda _cCGP _dOCLCO _dOPW _dWIM _dCPL _dOCLCO _dABJ _dJQF _dYDX _dHQD _dMNN _dAUM _dVP@ _dNFG |
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019 |
_a1370127707 _a1415631071 _a1418726512 _a1422583900 |
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020 |
_a9781419758416 _q(hardcover) |
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020 |
_a1419758411 _q(hardcover) |
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035 |
_a(OCoLC)1416904538 _z(OCoLC)1370127707 _z(OCoLC)1415631071 _z(OCoLC)1418726512 _z(OCoLC)1422583900 |
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043 | _an-us--- | ||
092 |
_a791.4365 _bH497 |
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049 | _aNFGA | ||
100 | 1 |
_aHenderson, Odie, _eauthor. |
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245 | 1 | 0 |
_aBlack Caesars and foxy Cleopatras : _ba history of blaxploitation cinema / _cOdie Henderson. |
246 | 3 | 0 | _aHistory of blaxploitation cinema |
264 | 1 |
_aNew York : _bAbrams Press, _c2024 |
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264 | 4 | _c©2024 | |
300 |
_a292 pages ; _c23 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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520 |
_a"A definitive account of Blaxploitation cinema--the freewheeling, often shameless, and wildly influential genre--from a distinctive voice in film history and criticism"-- _cFrom publisher's description. |
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505 | 0 | _aWhat Happened Before Cotton Came to Harlem? -- Ain't Now, but It's Gonna Be -- Stop! Or My Director Will Shoot!: A Hollywood Mystery -- "Soulsville," Shaft, and Long-Time Women -- Coming Back to Collect Some Dues -- A Side Hustle: The Case for UpTight -- The Citizen Kane of Blaxploitation -- Interview: A Chat About Blaxploitation Westerns and Buck and the Preacher -- Dracula Was a Redneck -- From the Asphalt Jungle to the Concrete Jungle -- What's Happening in the CLEAN World? -- Nurse Coffy and Cleopatra Jones -- Pimps Are Everywhere, Even on Sesame Street -- When Bond Met Blaxploitation -- Payin' the Cost to Be the Boss -- You Can't Judge a Movie by Its Color -- Once Again, Injustice for Bill Gunn -- Shaft in Africa... and on Television -- When Blaxploitation Spooked the Gov'ment -- Jim Kelly's Too Busy Lookin' Good -- Black Belts, Hard Ways, and Woof Tickets -- Interview: Exploring the Wild World of Genre Filmmaking with Producer Jeff Schechtman -- Foxy Brown, Foxier Fellini -- Possession Is Nine-Tenths of the Lawsuit -- The Cosby-Poitier Trilogy I: Because I'm from Off the Corners -- Werewolf Breaks and Zombie Hit Men -- Make Yours a Happy Home -- Interview: A Millenial's Take on Blaxploitation Movies -- Pam, Pam, and More Pam -- The Crosby-Poitier Trilogy II: Biggie Smalls Is da Illest -- Colley High Harmony -- Dolemite Is His Name -- Django, Chained -- Blaxploitation Rides the Range -- I'm Mahogany, and You're NOTHING! -- A Side Hustle: I Didn't Know Where I Was Going To -- Joel Schumacher, Voice of Black America?! -- A Side Hustle: The Top Ten Best Blaxploitation Songs -- Don't Nobody Bring Me No Bad News. | |
650 | 0 |
_aAfrican Americans in motion pictures. _9127530 |
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650 | 0 |
_aBlaxploitation films _xHistory and criticism. |
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655 | 7 |
_aFilm criticism. _2lcgft |
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994 |
_aC0 _bNFG |
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999 |
_c379934 _d379934 |