000 | 03285cam a2200469 i 4500 | ||
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001 | on1397320789 | ||
003 | OCoLC | ||
005 | 20240205140419.0 | ||
008 | 230526s2023 ncua b 001 0 eng | ||
010 | _a 2023004962 | ||
040 |
_aNcD/DLC _beng _erda _cDLC _dOCLCO _dTOH _dBDX _dUKMGB _dOCLCF _dYDX _dNDD _dOCLCO _dTDF _dOQX _dRES _dNFG |
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015 |
_aGBC3J5293 _2bnb |
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016 | 7 |
_a021244492 _2Uk |
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019 |
_a1375540745 _a1401161127 |
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020 |
_a9781478025481 _q(paperback) |
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020 |
_a1478025484 _q(paperback) |
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020 |
_a9781478020707 _q(hardcover) |
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020 |
_a1478020709 _q(hardcover) |
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035 |
_a(OCoLC)1397320789 _z(OCoLC)1375540745 _z(OCoLC)1401161127 |
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042 | _apcc | ||
043 | _an-us--- | ||
092 |
_a782.4216 _bB797 |
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049 | _aNFGA | ||
100 | 1 |
_aBrackett, John Lowell, _eauthor. |
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245 | 1 | 0 |
_aLive Dead : _bthe Grateful Dead, live recordings, and the ideology of liveness / _cJohn Brackett. |
264 | 1 |
_aDurham : _bDuke University Press, _c2023. |
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300 |
_axv, 216 pages : _billustrations ; _c23 cm. |
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336 |
_atext _btxt _2rdacontent |
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_aunmediated _bn _2rdamedia |
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_avolume _bnc _2rdacarrier |
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490 | 1 | _aStudies in the Grateful Dead | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _a"To capture that special feeling" : recorded (and recording) liveness (The Warner Bros. years, 1966-1973) -- "The next best thing to being there" : tapes, taping, and an alternative aesthetic of recorded liveness -- A time of reckoning : new approaches to producing and marketing liveness (The 1980s, part 1) -- "That quintessential spirit of the band" : "Touch of Grey," the "Betty Boards," and the rebirth of the Dead (The 1980s, part 2) -- "The live feel of a tape" : from the vault, Dick's picks, and the language(s) of liveness -- Post-Dead : "obstinately physical," "Vaporous cargo," and the material remains of liveness. | |
520 |
_a"The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead's reputation as a "live band" was-and continues to be-sustained by thousands of live concert recordings from every era of the group's long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings-from the group's official releases to fan-produced tapes, bootlegs to "Betty Boards," and Dick's Picks to From the Vault-have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of "liveness," authenticity, and the power of recorded sound"-- _cProvided by publisher. |
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610 | 2 | 0 |
_aGrateful Dead (Musical group) _xPerformances. |
650 | 0 |
_aLive sound recordings. _920707 |
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650 | 0 |
_aRock concerts _zUnited States _xHistory _y20th century. |
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650 | 0 |
_aSound recordings _xPirated editions. |
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650 | 0 |
_aRock music _zUnited States _xHistory and criticism. _951103 |
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830 | 0 | _aStudies in the Grateful Dead (Duke University Press) | |
994 |
_aC0 _bNFG |
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999 |
_c379944 _d379944 |