000 | 03977cam a2200397 i 4500 | ||
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001 | on1380847735 | ||
003 | OCoLC | ||
005 | 20240306143719.0 | ||
008 | 230601t20232023nyuaf 001 0deng d | ||
040 |
_aNjBwBT _beng _erda _cOQX _dOQX _dHBP _dOCLCQ _dLMJ _dBDX _dHQD _dYDX _dIJ5 _dIMT _dVP@ _dOCLCA _dKQY _dCNWPU _dOCLCF _dNYP _dNBO _dJTH _dFHP _dZ45 _dCLU _dOCLCO _dKUA _dIUK _dOCLCL _dNFG |
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019 |
_a1295218366 _a1295245088 _a1374492814 _a1378315149 _a1379447100 _a1381267575 _a1381952026 |
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020 |
_a9780063251281 _q(hardcover) |
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020 |
_a0063251280 _q(hardcover) |
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_a(OCoLC)1380847735 _z(OCoLC)1295218366 _z(OCoLC)1295245088 _z(OCoLC)1374492814 _z(OCoLC)1378315149 _z(OCoLC)1379447100 _z(OCoLC)1381267575 _z(OCoLC)1381952026 |
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_an-us--- _an-us-ny |
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092 |
_a781.6609 _bP346 |
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049 | _aNFGA | ||
100 | 1 |
_aPayne, Chris _c(Music journalist), _eauthor. |
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245 | 1 | 0 |
_aWhere are your boys tonight? : _bthe oral history of emo's mainstream explosion 1999-2008 / _cChris Payne. |
250 | _aFirst edition. | ||
264 | 1 |
_aNew York, NY : _bDeySt., an imprint of William Morrow, _c[2023] |
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264 | 4 | _c©2023 | |
300 |
_axv, 480 pages, 8 unnumbered pages of plates : _billustrations (chiefly color) ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aIncludes index. | ||
505 | 0 | 0 |
_gIntroduction -- _gPart 1. _tClose to home 1999-2000. Jersey basements & the Manhattan skyline -- _tThe first fancy tour bus to pull up at the Manville Elks Lodge -- _tLong Island & the last silent majority show -- _t"If Pete wasn't playing for us, he was moshing for us" -- _tAll the way down I-95 -- _tAnd out to the great wide open -- _gPart 2. _tWill you tell all your friends ... 2001-2002. Napster, the music biz & the biggest band to come out of Mesa, Arizona -- _tNew Jersey, 2001 -- _t"At the time, they were Geoff from Thursday's weird friends" -- _tThe Long Island lyric pool -- _t"If half the people hate you, the other half are going to defend you to the death" -- _t"It wasn't like we thought we were going places, because there was nowhere to go in Utah" -- _t"Better get a little glossier, or you're gonna fall behind the crowd" -- _t"It didn't matter that 99% of mainstream America didn't know who he was" -- _gPart 3. _tThe match you strike to incinerate 2003-2004. Private jets & magazine covers -- _t"I remember playing Hollister. It was a riot at the mall, basically" -- _t"If you don't sign this band, you're gonna regret it for the rest of your life" -- _t"Love in the face of the apocalypse" -- _tNew friend request -- _gPart 4. _t"The pinnacle of hype," 2005. Taste of chaos, 2005 -- _tGoing down swinging -- _tThe eye of the storm -- _t"Panic! at the Disco was like pouring gasoline on the fire" -- _tNever sleep again -- _gPart 5. _tIt's an arms race, 2006-2008. "Bigger than emo" -- _t"Emo people are just like us" -- _t"As much mischief as we could" -- _tBridge & tunnel -- _tThe black parade -- _tIn defense of the genre -- _t"It was a reckoning to have this young woman overtake the scene" -- _tTakeover -- _tThe band in a bubble -- _tThe end of the earth -- _t"They took the exclamation point off their name" -- _t"When your fans start dressing like you, you gotta find the next thing" -- _t"Total, complete transformation" -- _gPart 6. _tEpilogue. We'll carry on. |
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_a"Told through interview with more than 150 people, including bands, producers, managers and fans, a music journalist offers an authoritative, impassioned and occasionally absurd account of the turn-of-the-millennium emo subculture that took over the American music scene from 1999 to 2008"-- _cProvided by publisher. |
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650 | 0 |
_aEmo (Music) _zUnited States _xHistory and criticism. |
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650 | 0 |
_aRock music _zUnited States _xHistory and criticism. _951103 |
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650 | 0 |
_aRock musicians _zNew York (State) _zNew York _vInterviews. _994538 |
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655 | 7 |
_aInterviews. _2lcgft |
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994 |
_aC0 _bNFG |
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_c381898 _d381898 |