000 | 02662cam a22003498i 4500 | ||
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001 | on1407212172 | ||
003 | OCoLC | ||
005 | 20240419132717.0 | ||
008 | 230825s2024 mnua e 000 0 eng | ||
010 | _a 2023039644 | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCO _dBDX _dOCLCF _dGL4 _dIMD _dNFG |
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020 |
_a9781566897037 _q(paperback) |
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020 |
_a1566897033 _q(paperback) |
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035 | _a(OCoLC)1407212172 | ||
042 | _apcc | ||
092 |
_a814.6 _bD981 |
||
049 | _aNFGA | ||
100 | 1 |
_aDutton, Danielle, _d1975- _eauthor. |
|
245 | 1 | 0 |
_aPrairie, dresses, art, other / _cDanielle Dutton. |
263 | _a2404 | ||
264 | 1 |
_aMinneapolis : _bCoffee House Press, _c2024. |
|
300 |
_a169 pages : _billustrations ; _c20 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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505 | 0 | 0 |
_gPrairie. _tNocturne -- _tThese bad things -- _tInstallation -- _tLost lunar apogee -- _tMy wonderful description of flowers -- _gDresses. _tSixty-six dresses I have read -- _gArt. _tA picture held us captive -- _gOther. _tOne woman and two great men -- _tAcorn -- _tNot writing -- _tSomehow -- _tA double room -- _tWriting advice -- _tTo want for nothing -- _tStory with a hole -- _tPool of tears (a play in one act). |
520 |
_a"From the "strikingly smart and daringly feminist" (Jenny Offill) author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. "Luminous" (The Guardian) and "brilliantly odd" (The Irish Independent), Danielle Dutton's writing is as protean as it is beguiling. In the four eponymous sections of Prairie, Dresses, Art, Other, Dutton imagines new models for how literature might work in our fractured times. "Prairie" is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest. "Dresses" offers a surprisingly moving portrait of literary fashions. "Art" turns to essay, examining how works of visual art and fiction might relate to one another, a question central to the book, while the final section, "Other," includes pieces of irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking by turns. Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness, and indefinable beauty"-- _cProvided by publisher. |
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655 | 7 |
_aEssays. _2lcgft _95184 |
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655 | 7 |
_aShort stories. _2lcgft _91945 |
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655 | 7 |
_aLiterature. _2lcgft |
|
994 |
_aC0 _bNFG |
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999 |
_c384002 _d384002 |